The Positivity Pole where I contemplate each morning.
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Anonymous said…
There is lambswool under my naked feet The wool is soft and warm Gives off some kind of heat A salamander scurries into flame to be destroyed Imaginary creatures are trapped in birth on celluloid The fleas cling to the golden fleece Hoping they'll find peace Each thought and gesture are caught in celluloid There's no hiding in memory There's no room to avoid
The crawlers cover the floor in the red ochre corridor For my second sight of people, they've more lifeblood than before They're moving in time to a heavy wooden door Where the needle's eye is winking, closing on the poor The carpet crawlers heed their callers: "We've got to get in to get out We've got to get in to get out We've got to get in to get out"
~ The Carpet Crawlers (The Lamb Lies Down on Broadway by Genesis)
I’m just saying The initial purpose of this post was to discuss my kidnapping, robbery and attempted murder on Yorkville Avenue in Toronto on July 2, 2002 in broad daylight at 6:55 PM. I will explore this occurrence in vivid detail as soon as I can. And on the subject of my book, whether it be memoirs or autobiography, there is much ground to cover as an overview before I get down to it, so to speak. Previously on Wikipedia on the “CARDBOARD BRAINS” page, it states that “John Paul Young is currently in seclusion. Or when translated: hermitage. It since had been edited out, but was essentially accurate. I was indeed in seclusion from September 2002 on. No one knew where I was or how to contact me and that’s the way I wanted it. That is why Cardboard Brains guitarist had his friend and once Cardboard Brains alumni John “Sandy” Macfadyen fill in for myself as front man-vocalist when the sort of Cardboard Brains played at the Horseshoe Tavern for THE LAST POGO JUMPS AGAIN in 2006. I w
I Want To Be A Yank This of course is the 1977 iconic CARDBOARD BRAINS White EP with I Want To Be A Yank, Living Inside My Head, Can Stress Kill, and of course our pre-pistols cover of the Monkees (I’m not your) Stepping Stone. The Canadian punk outfit FUCKED UP did a successful cover of I Want To Be A Yank, however the lyrics aren’t correct. So I would like to take this opportunity to present them in their full glory. “WHO REALLY CARES ABOUT MAGGIE T.? I’M REALLY SICK OF THE CBC. THE KIDS ARE ROTTING AT U. Of T. JUST TO WORK FOR THE U.I.C. RENE LEVESQUE’S THE MISSING LINK CBC TV PROGRAMS REALLY STINK YOUR MONEYS ALL DOWN THE DRINK I WISH I DIDN’T HAVE TO THINK. U.S. THEY GOT TAINTED HAM U.S. THEY GOT SON OF SAM U.S. THEY GOT SIRHAN SIRHAN U.S. THEY GOT VIETNAM I WANT TO BE A YANK! WHO REALLY CARES ABOUT MAGGIE T.? I’M REALLY SICK OF THE CBC THE KIDS ARE ROTTING AT U.of T. JUST TO WORK FOR THE U.I.C. U.S. THEY GOT JIMMY CARTER U.S. YOU CAN BE A MARTYR U.S. THEY GOT WORLD SERIES U.S.
Clip on (the) Cardboard Brains from Colin Brunton and Kire Papputs’ The Last Pogo Jumps Again. (2013). I’m glad they got Nardwaur the Human Serviette to substitute for a noticeably absent John Paul Young.
This is in response to a comment by unknown. I “star” in CINOFRENIC, as “Paul”. To the best of my knowledge Cardboard Brains does not perform in the film but Mike Nightmare and The Ugly does. I think The B-Girls also perform, and I can’t remember who else does. I probably wasn’t there that day. IMDB probably has more info on CINOFRENIC. Vince Carlucci would remember if Cardboard Brains performed in the film. I’m occasionally asked about it and if a copy is available. Again I don’t know. Eventually one will surface. Apparently it’s got some good footage of bands like The Ugly. I will always remember seeing Mike Nightmare spinning his mic around and singing: “Your not living in the real world!”. RIP Mike Nightmare. Thanks for the comment. JPY . And no, I don’t perform any music in the film. However we did in The Gate (1986). More about that shortly.
I penned the last blog early in the morning, sick as a dog. Hence all the typos etcetera. But one day I will edit all this stuff. But at least I got some material out. Material that I find difficult to discuss but I ruminate about constantly. aHowever I believe it to be cathartic to publish it in a public forum online. I discussed the death of my brother in some detail, but not in total detail. Truthfully I would rather not breach the subject but I deem it necessary. I believe I had to mention finding my brothers body to provide context to my nuclear family, the subsequent death of my mother, my kidnapping and my seven bullshit arrests and four wrongful imprisonments. Oh and let’s not forget being forced to survive on the mean streets of Toronto for ten years. And all the while I was being defrauded of approximately fifteen million dollars in cash and assets. The aforementioned me being “sick as a dog” started with a tickle in my throat and then sort of a cold. I was at “Erica’s” ak
The Boulevards of Hope. You know, Dear Friends, what I really would like to do is release new music. But financing a project is the problem. If I were to use Ermie Scub as a guideline, it would cost about $CDN50,000.00 to release a comparable LP. Plus promotion and distribution. And I need things such as a practice space and gear. Maybe I will win the lottery or get a Canada Council for the Arts grant. Many sources including the CBC and Nardwaur and Canadian Composer (which was in the days of CAPAC) have commented on how depressing and down it is. But I submit that the above track is optimistic. And it’s one of my fave tracks on The Life of Ermie Scub.
I remember being on the set of CINOFRENIC and having to go to open for The Screamers later that night. Cathryn Gilday of the Toronto Globe and Mail gave us a very nice review entitled “Cardboard Brains Just Fine”.
I come from a family of four. My mother Margaret Isabel Young (nee Peace), my father Dr. Robert Goddard Young, my brother, six years my junior, William Robert Stuart Young nd myself, John Paul Young. My brother died tragically in July 1996 shortly before my fortieth birthday. For the next six years I was the principal caregiver of my two parents. I was the one who discovered the body of my “baby” brother in his apartment. I was in shock. The attending police officer “Bart”, said to me at the scene “If you ID your brothers body for the Coroner, you’ll spare your elderly parents from seeing their son on the slab.” So still in clinical shock, the Coroner, a woman, a very nice woman arrived amongst all the others, arrived. She understood what I didn’t: the psychological impact of identifying a loved ones body, dead town days, bloated, cyanotic and with rigour mortis. A ghoulish vestige of his former self. So I wasn’t allowed to look at my brothers body until the Coroner chose the appointe
Comments
There is lambswool under my naked feet
The wool is soft and warm
Gives off some kind of heat
A salamander scurries into flame to be destroyed
Imaginary creatures are trapped in birth on celluloid
The fleas cling to the golden fleece
Hoping they'll find peace
Each thought and gesture are caught in celluloid
There's no hiding in memory
There's no room to avoid
The crawlers cover the floor in the red ochre corridor
For my second sight of people, they've more lifeblood than before
They're moving in time to a heavy wooden door
Where the needle's eye is winking, closing on the poor
The carpet crawlers heed their callers:
"We've got to get in to get out
We've got to get in to get out
We've got to get in to get out"
~ The Carpet Crawlers (The Lamb Lies Down on Broadway by Genesis)
https://youtu.be/2yUN6CsuVPw